“But it still always comes back to being prepared. My aim is to be so prepared that the compromises – that are inevitably going to be made – do not box me in and keep me from doing what I need to do. Sound is so fragile. Being prepared allows one enough wiggle-room to adapt to those instances of spontaneity that happen within the performance; the moments that will make it so that, when you’re finished with a scene, you take your headphones off and go, ‘Yes… oh yeah, that was good’.”

Edward Tise, SoundMixer von ‚Argo‘, ‚Into the Wild‘, ‚Full Metal Jacket‘ und vielen Anderen.

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